«Peripheries of bodies» is a consequential animation film which casts the medium of film back on its origin, the image. Beginning with divers on a platform in the sea, the viewer is simultaneously immersed in pictorial spaces in pictorial worlds, whose associative inner logic collides with the customs of conventional narration. Topics such as encounter, separation, the dissolution of boundaries and the radius of what can be physically experienced are examined for their echoes in the semiotic echo chamber and the possible vocabulary of the mental stage space of the earlier works is substantially supplemented.